Three Queens

I’ve begun my young adult novel yet again. How many ways can I write the same story?  It was going to be my simple story, the one I wrote quickly, for fun. Oh, and my agent thought it would sell. Let’s be honest. The first version was disturbingly similar to the movie, The Sixth Sense. Something I didn’t notice until I had completed it. I went back and watched that movie again after someone pointed it out. I had taken the kitchen scene almost verbatim which made me wonder about myself. How much of what I think or imagine is my own? I rewrote the whole novel. I changed everything. I wrote it one way and I wrote it another. It is set in Portland. The protagonist is a sixteen year old girl whose mother died the previous year. My characters always have mother issues, but I don’t. I have a perfectly good mother. My characters have mothers who die or run off, who get arrested, who abandon them.

I am searching for the perfect coffeehouse in Corvallis, Oregon. I do like Market of Choice. MOC has comfortable chairs, is warm, serves Stumptown coffee. Today I am at Interzone, the hip coffeehouse near campus. It also has good coffee. Interzone is not a very good place for me to write because the music is sometimes discordant and it is not warm. Interzone has interesting art on its walls. There are tables outside but it is December and it will be a long time before we can sit out there. When I went to Paris I imagined I’d sit in coffeehouses but it was not so easy to do that. My German friend Maria took me to the coffeehouse where Sarte used to hang out but a cup of coffee cost $15 so I just took a picture of a man with a dog and left. So anyway when I tell myself that in Paris I would find a perfectly good coffee house, it is a lie. Oh, now Interzone is playing jazz and that is much more conducive to early mornings. A trumpet. Piano.

I can’t settle on my protagnonist’s name. Sometimes she is Frieda but other times she is Sophie. She was also Edie, briefly. Some writers say that the inability to decide on a name means the story itself is half baked but my story is not half baked. I just can’t seem to figure out how to tell it.

Yesterday I read Crystal’s Tarot cards and her ultimate outcome was three queens. Is it a violation of confidentiality to say that?

Does anyone else wonder about the Celtic Cross position “hopes and fears?” Waite’s book says “hopes or fears,” which has a different meaning entirely. Less interesting but more simple to interpret.

A woman with a bright pink umbrella walks down the street. It is late December and the students are gone.

I’m reading On the Natural History of Destruction by WG Sebold about Germany after the war, the terrible destruction of it cities and how no one talked about it. Even the Germans themselves did not seem to comment. German writers did not write about it. My mother’s family was from Aachen which was destroyed. They were from Auchen, Alsace Lorraine and County Kildare.

I’m reading Hemingway for class.

Years ago Chuck’s great aunts hired a genealogist but when the genealogist found out they were Jewish, the aunts had the research stopped. I have looked for what that genealogist found but haven’t been able to discover it. Chuck’s family is from Poland, Ireland, Normandy and Visingso. His grandmother was Swedish but she was the opposite of the characters in an Ingmar Bergman film. Her comment on almost everything, “Oh, it don’t matter.”

Taha Muhammad Ali

Taha Muhammad Ali  (1931-2011):

Palestinian poet, author of “So What; New and Selected Poems, 1971-2005″ pub.2006, Copper Canyon Press

 And so
it has taken me
all of 60 years
to understand
that water is the finest drink,
and bread the most delicious food,
and that art is worthless
unless it plants
a measure of splendor in people’s hearts.
Thanks, Roger Weaver, for sending this.

Flaming June

I just published Twenty Questions as an electronic book and here’s the cover.


It’s taken from a painting called Flaming June by Frederic Leighton, 1895, currently housed in Arte de Ponce in Ponce, Puerto Rico. I’m not sure that the tone is right. The novel is foreboding, but the picture I’ve chosen is dreamy and romantic. Can I choose a cover primarily because I love it? My character’s name is June, like the woman in the painting, and in the book (written without the painting in mind!) this painting is mentioned to June.

When she said her name, he had said, ‘Flaming June, like the painting.’
She knew the painting he meant. It was a woman lying back in an orange dress, with golden hair spread out on a pillow. She did look like the woman in the painting. She had always secretly thought so.

Did you notice the plants in the upper right portion of the painting? They are the poisonous oleander. The oleander symbolizes

  • the mother
  • caution, the need to beware
  •  the close relationship between sleep and death.

Each of those things is central to the story. I recently read an article in Salon claiming that people actually get more pleasure out of a book or movie if they know the ending, but I don’t believe that, and I am not going to say why each of these symbols in relevant.

Here is the first cover:

Readers are usually surprised to hear that authors, unless they are famous and powerful, don’t choose their covers. I like this cover although it makes the book look like a mystery, which it isn’t. It has a mystery in it, but it doesn’t follow a mystery format. A newspaper wrote an article about me and the caption said, “Mystery writer,” which was a surprise.

I like the green and pink colors. I like the hydrangeas. I like the fact that they are an Oregon flower and the book is set in Oregon. Often covers are chosen with no attention to this kind of detail. Once when I complained about the fact that one of my book covers had no relationship to the book, an editor told me, “Writers are always so picky about that stuff!” Readers, she said, never notice. But it’s not true. Readers do notice.

An oleander.

another word for hell

 

I was reading Night and helping plan a fundraiser for an elementary school in Gaza. I was reading Night and writing a novel that includes the Kabbalah, which is a form of mystical Judaism. The Kabbalah is also called The Tree of Life, and included in this Tree is its shadow, which is known at Qliphoth. Qlipoth is the place where all the half- formed things of creation go, the mistakes, the monsters. When you read Night, it’s easy to imagine that the landscape is Qlipoth, which is another word for Hell.
My husband’s paternal grandfather is German, but when a genealogist discovered that he was Jewish, his great aunt stopped the research. When I read Night I thought about the Palestinians and I thought the worst thing that can happen is for the victim to take on characteristics of the oppressor.

loving picasso


I did begin to admire Picasso, after his museum in Paris. I could see that he was trying to show the inside of things, or even sometimes (it seemed to me) the nature of form itself. I hated the displays in The Museum of Contemporary Art in Barcelona though. Aside from one piece about Fascism and another inspired by Guy Dubord, they seemed purposefully obscure, self referential, pretentious. Hey, I’m an American–my ignorance does not prevent strong opinions.

tourist in Barcelona


9 July
Fighting my way through The Rambla crowd (Lorca once said this was one street he wished would never end, but surely it was different during Lorca’s time) to the subway, on my way to #1 must see tourist attraction: Goudi’s Church of La Familia, when I turned back and found my way, finally, to this small cafe where I sit now, at a table by the window, drinking a glass of wine and listening to the other patrons talk. I do think there is something sweet about tourists, fascinated by places, examining maps, photographing each other next to beautiful buildings. I want to go home and be a tourist in Oregon, as George says Béatrice is, in Paris. Nonetheless, I truly cannot go to one more tourist attraction, no matter how attractive. Four people sit at the bar, young, European, mostly English, talking to the bartendar. They are quizzing each other in their knowledge of Catalan. Now talking about a bullfighter who was killed by a bull. Whether this was a good or bad thing, they disagree. Janis Joplin on the stereo.

>What Man Ray says

>
I know everyone is wondering why the heck I hardly ever blog here anymore. Is it because all my blogging is directed towards my witty, new pit bull site, http://www.peteywasapitbull.blogspot.com?
Nope. A while back I set up an RSS feed on Amazon, so whatever I blogged here wound up on the Amazon pages that sell my books. So suddenly I thought I could only write if I had say something interesting and smart to say about writing. I had to say something that would make the person reading it inclined to buy a book. And then, there’s the voting thing. What is with voting in this country? People don’t vote for their elected officials, but they vote for the next American idol. They vote to kick someone off the island or out of the Big Brother House. They vote on netflix. How many stars? And on Amazon. They vote for restaurants and hotels. Is it so that we feel like we are in charge of something? At any rate, on Amazon, people rate your blog entries. Geesh.
Today I figured out how to delete the RSS feed so now it’s just you and me, privately. I don’t have to try to sell books and you don’t have to tell me if you found this interesting or not.
This is what Man Ray says about criticism: if you don’t like something, walk away from it.